Following his success with the adaptation of Fiddler on the Roof (1971), director Norman Jewison experimented with a hippie-influenced sensibility on Jesus Christ Superstar (1973). Among such touches are depictions of the cast arriving via bus to mount the show, modern high-tech weaponry in the hands of the ancient Romans, and on-location Variety. Norman Jewison's film version of the 1969 legit stage project in a paradoxical way is both very good and very disappointing at the same time. The abstract film concept veers from elegantly simple through forced metaphor to outright synthetic in dramatic impact. 50. Jesus Christ Superstar is a rock opera by Tim Rice and Andrew Lloyd Webber. It highlights political and interpersonal struggles between Judas Iscariot and Jesus. The opera is based on the Gospels' account of the last week of Jesus' life, beginning with the preparation for the arrival of Jesus and his disciples in Jerusalem, and ending with the Movie (1973) Starring: Ted Neeley (Jesus Christ) Carl Anderson (Judas Iscariot) Yvonne Elliman (Mary Magdalene) Barry Dennen (Pontius Pilate) Bob Bingham (Caiaphas) Larry Marshall (Simon Zealotes) Film version of the musical stage play, presenting the last few weeks of Christ's life, told in an anachronistic manner. Irwyn Diaz Apr 3, 2018 Where Jesus Christ Superstar Was Filmed Jesus Christ Superstar is a 1973 musical drama film that stars actors Ted Neeley, Carl Anderson, Barry Dennen, Yvonne Comment. In the early 1970s, Ted Neeley was a 20-something rock ā€˜nā€™ roll drummer from Texas who never imagined he would be known for playing the Son of God. But 50 years later, his name is Conclusion: Superstar . This is a film about . Jesus Christ Superstar. It wants to use its depiction of Jesus as a means not of reverence but of interrogation, asking him questions by placing him in a context full of overtones of the culture of the early 1970s, English-speaking West, attempting to understand him by converting him into a pop-idol, The rock opera is one of the most frequently staged productions in history, but when it debuted on Broadway in 1973, many Christians, Jews - and even the composer - hated it. Opening night "was p4ID.